Can AI companies train on my music without permission?
LAST VERIFIED 15 Jul 2026
Where the law actually stands
The question — is training a music-generation model on copyrighted recordings fair use? — was put before two federal courts in June 2024. Two years later, neither the District of Massachusetts (Suno) nor the Southern District of New York (Udio) has ruled on it. Cases in other domains (text, books, images) have produced mixed, non-binding-on-music outcomes; citing them as if they decide the music question is exactly the error that produced the fabricated "Bartz v. SoundAI" precedent we debunked.
Where the market stands
While courts deliberate, the answer is being written in contracts: Warner settled with both Suno and Udio and licensed its catalog; UMG did the same with Udio; UMG and Roland published joint principles for music creation with AI. The direction is opt-in, paid, catalog-scale licensing. For an independent artist, that direction matters: the emerging norm treats training rights as something to be licensed, not taken — but until a court rules or Congress acts, an unlicensed company training on your tracks faces litigation risk, not settled illegality.
Your practical levers today are contractual (distributor and platform terms may address training) and collective (the opt-out and licensing frameworks being negotiated by rights bodies). No individual opt-out mechanism is enforceable by statute in the US as of our verification date.
Records cited
| rights policy item | Principles for Music Creation with AI |
|---|---|
| rights policy item | UMG Recordings, Inc. et al. v. Suno, Inc. et al. |
| rights policy item | UMG Recordings, Inc. et al. v. Uncharted Labs, Inc. d/b/a Udio |
Primary sources
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Structured information, not legal advice.
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